Weaving Fragments: On The Connoisseurship of Italian Renaissance Tapestry Cartoons

L-631

The Humanities Department cordially invites you to October's Works-in-the-Works event   In this talk Prof. McAuliffe will examine the design of sixteenth-century European tapestries and the cartoons, or full-size colored drawings, that were used as models in the workshops of Flemish weavers. The artists Raphael (1483–1520) and Giulio Romano (1499–1546) were the most influential Italian

The City Performs: An Architectural History of NYC Theatre

L-631

The Humanities Department cordially invites you to February's Works-in-the-Works event A talk by Profs. Ting Chin and Christopher S. The City Performs: An Architectural History of NYC Theatre. In this presentation, we will discuss our teaching collaboration in the interdisciplinary course History of the Theatre: Stages and Technology. Faculty, staff, and students are invited. Refreshments served, no

Una cita con la cita. The Cross-cultural Values of Citations in Postgraduate Research Works

L-631

Citation processes are shaped in a textual context that characterizes the academic discourse within each genre, such as disciplinary community or cultural framework The interplay between the citation processes and context in turn generates new knowledge between the writer and reader. In this presentation, I discuss the cross-cultural differences in citations used in their research

Works in the Works: Resisting State Domination: Exploring Hong Kong’s Press Coverage of the Sino-Africa Trade

Speaker: Zheng Zhu, Humanities Department This talk analyzes a Hong Kong-based newspaper's representation of African countries and how it constructs the mainland government's neo-imperialistic domination of Sino-Africa trade relations. The findings reveal that The South China Morning Post, a privately-owned Hong Kong newspaper, criticizes the Chinese government's exploitation of the African continent by adopting the

Works in the Works: A Talk by Annette Saddik

Clowning Around?: Reimagining Political Transformation in Late-Twentieth-Century Grotesque Theatre In this presentation, I discuss my most recent book project, which focuses on the figure of the clown in late twentieth-century